A Puppet Show for the Tinest of Tots

When I was a little girl, my mom brought me to the summer home of the New York City ballet every year. At a young age, Chris knew the Phantom of the Opera soundtrack and was in three high school plays. So it was inevitable that we were going to introduce Sprout to the theater. I found the perfect opportunity at a local children’s theater company, which puts on shows for little ones called Tiny Tots. The shows are a half-hour long, the lights stay on, they understand if you have to leave in the middle of the performance, and tickets are only five bucks a person. As I wanted to do one, single family holiday activity before Christmas, their presentation of “Nutcracker Fantasy” was perfect.

Evidently, we weren’t the only parents with the same train of thought. There was a whole mess of toddlers (clearly the correct word for a group of toddlers) with their parents in the theater’s lobby. They were quite well-behaved, even when we had to wait in line to get in and again for the show to start. The theater was small, with a carpeted floor with a single long step across the room and bench seating along the wall. The stage was simple – curtains on the sides and a draped balustrade along the back.

As everyone finished settling in, our puppeteer came out for a brief introduction. Explaining that he used to work on Mr. Rogers’ Neighborhood (!) and The Muppets (!!), he said he was familiar with all sorts of puppets. While describing the difference between mouth puppets that talk and marionettes on strings, he demonstrated of how to construct a muppet of the Nutcracker King. It was a nice introduction to the kids who had only seen mouth puppets (otherwise known as muppets) and held everyone’s attention while they seated a few more families.

He then moved on to the actual show, which mainly consisted of the fun dance parts of the Nutcracker. One marionette was a snow lady with naughty little snowflakes that ran away. A poofy poodle juggled snowballs. A Chinese acrobat did flips and balanced a plate on his head. Individual round, green puppets (“I think they’re trees?” I whispered) came together to form a Chinese dragon. A turtle on roller skates jumped and flipped. Elegant plants swooped to the famous Dance of the Flowers.

As his background would suggest, the puppeteer was very talented. His fluid, tiny gestures made it appear as if the puppet itself was doing all of the work. Even though they didn’t speak, each character had a distinct personality and interacted with him in their own unique manner.

Each section followed the same pattern, so it was easy for the little ones to follow along. The puppeteer gave a short introduction to each character, often referring to them as “my friend.” He then brought out the marionette, who did some sort of trick. In several cases, the character was “not very good” at the trick, so they had to try it a couple times with the puppeteers’ encouragement. While most of the puppets’ incompetence was on purpose, one of the dog’s strings broke and a snowball actually fell into the audience. In the end, the character succeeded at the task and moved off-stage. Each vignette was only a few minutes long.

Despite the simplicity of the set-up, there seemed to be a level of confusion among the adults. I heard at least one person say, “Where’s the Nutcracker?” I suspect there were also some parents who agreed with a Yelp review that complained you could see the puppeteer. Neither of these things bothered me though. The plot of the Nutcracker is notoriously thin and toddlers wouldn’t be able to follow it anyway. While some of the characters weren’t in the original story (I don’t recall any frogs on roller skates), the kids didn’t seem to care. Being disappointed at seeing the puppeteer I think is due to a bit of a lack of imagination on the adults’ part. I’m not a great puppeteer and I’ve had children much older than toddlers talk to a puppet I was controlling as if I wasn’t present at all.

In contrast to their parents, the kids were totally mesmerized. I don’t think I’ve ever seen a group of calmer, quieter non-sleeping toddlers. Sprout watched the whole thing on my lap, thoughtfully chewing on his hand. The kids started getting a little antsy towards the end, but even that was limited to a few comments and squirms. Parents in the audience only brought a few kids out into the hallway, which was impressive for a packed house.

Overall, I was quite impressed, although there were a few things I would change. The design of the Chinese acrobat puppet played off unfortunate racial stereotypes. While I understand that communicating facial features of people of color can be particularly challenging in a puppet, I wish it wasn’t so Fu Manchu-esque. The other thing that grated to me just a bit was that the puppeteer was somewhat demeaning to the puppets who didn’t “want” to try their trick. As the characters were a bit kid-like, I thought he could have a more encouraging tone.

Considering that the show was a great introduction to the theater, Sprout loved it, and it was cheap, we’re sure to be back to the Tiny Tots show in the future.

Partying with the Other Cartoon Mouse

From reading parenting blogs, there appears to be a trifecta of parental hate: Calliou, glitter (the herpes of craft supplies), and Chuck E. Cheese. So when Sprout was invited to his first proper kid birthday party at Chuck E Cheese, I was intrigued. I loved the place as a kid, but I was a kid then, so what did I know? I found that while it wasn’t as bad as everyone says it is, it was rather mediocre – somewhat fun, no more and no less.

Although Sprout hid behind my legs when we first arrived, processing all of the action, he moved on to the toddler rides soon enough. Much like the their bigger cousins at Disney World, he showed much more interest than enjoyment. His little face showed rapt attention, his eyes concentrated and mouth neutral. It wasn’t that he disliked the rides – when we lifted him off one, he’d tap the seat and look at us, asking to put him on again. Instead, he was focused on absorbing and making sense of the experience. He requested going on the tiny carousel and the creepy clock swing so many times that we had to take a break for our own sanity. I have no idea how on earth they could be fun, but I am clearly not the target audience’s age.

Of course, the other essential part of the Chuck E Cheese experience is the games. Which – and I know this makes me sound hopelessly old, boring and nostalgic – were really disappointing. A few classics were present: driving games, basketball, and my old favorite, skeeball. They had a baby basketball game, which after the Thanksgiving playground incident, I knew Sprout would enjoy. As we handed him balls, he gently placed them in the basket. It was absolutely adorable.

But most of the games weren’t worth wasting free tokens on. A few were cutesy one-shots, where you had 1 level that took 30 seconds and couldn’t progress to the next level without putting in more money. No marathon sessions of side-scrollers like the old days. But even worse, the large majority of “games” were kiddy slot machines. They just dispensed tickets instead of money. They required little to no skill, offered a single chance, and promised big prizes with low odds of winning. Instead of a place where you could play with your friends to accomplish a goal (even if it was an inconsequential one), these games have turned arcades into casinos! I don’t want Sprout feeding my money into these machines, I don’t want him to be isolated, I don’t want the plastic crap the tickets pay for, and I definitely don’t want him gambling. I was very glad he was too little to pay notice to these games – I’ll take the baby rides any day.

About halfway through the party, the staff members pulled us together for pizza and the Chuck E. Cheese show. The pizza reminded me of the “good pizza” in the elementary school cafeteria. The birthday cake itself (not from Chuck E. Cheese), was simple – sandy tan frosting – but toy tractors on top turned it into a perfect tiny construction site. The rock-star themed show consisted of a costumed staff member “jamming out” with the birthday kid. The birthday boy – who had just turned two – had no clue about the symbolism but had a grand time anyway. He loved the inflatable guitar and crown, even though he had difficulty understanding, much less following, the instructions of the Chuck E. Cheese staff member. Under her beaming smile, you could tell she was the tiniest bit exasperated with trying to get a two-year-old to play along with a party template designed for an older child.

Standing around the pizza table was the first time all of the adults attending the party were in the same place. Before that, we were following our kids around the ride/game area, ensuring they didn’t put anything weird in their mouths or push other kids. Now, we were so physically close that normal social graces would require us to converse. But anything with multiple toddlers doesn’t fall within the bounds of normal social graces. Instead, we ignored each other, focusing on our kids eating without causing a disaster area. I kind of wanted to talk to people, but didn’t even know where to start. The only person we knew was the birthday kid’s dad, which Chris met at a Halloween party at our town’s community center. Instead, Chris and I talked to each other and watched Sprout eat his pizza cheese-first.

In the end, we cashed in our few tickets for stickers and headed home, having survived our first trip to Chuck E. Cheese as a family.

The Children’s Museum of Pittsburgh: Won’t You Be My Visitor?

I am a huge museum nerd. As a kid,
one of my favorite destinations was the New York State Museum. When I travel, I usually visit multiple museums at a location. So I was very excited to introduce Sprout to his first museum experience. While we had brought him to art museums before, they were much more for our enjoyment than his. Even though we live in the museum capital of the world, they’re all designed for folks much bigger than him. As it turned out, having first real museum experience at the Children’s Museum of Pittsburgh was just right.

Pittsburgh has never struck me as a tourist destination, but I had to go there for work anyway. As I’m also traveling this week, Chris and Sprout came with me so I wasn’t absent for two weeks in a row. As it turns out, Pittsburgh actually has a wealth of cool, unique museums, all of which are very different in form and function from the Smithsonians.

I’ve been to a number of children’s museums, but Pittsburgh’s was easily one of, if not the best, I’ve ever visited.

One of the things that really set it apart was its focus on integrating art into the play space. For example, it had a whole exhibit called Tough Art, a series of pieces designed for children to touch and interact with. One piece was a metallic moon with stars that played different musical tones if you touched the moon and one of the stars at the same time. At first, it seemed like the same person needed to touch the moon and the stars to get it to work. But much to my delight, we realized that wasn’t quite right – multiple people could make the elements sing, but they had to be touching each other for the harmonic resonance to vibrate through their bodies. Holding hands, Chris, Sprout and I had a blast, working together to reach the furthest star. Another part of the exhibit was a series of white poles with colored spotlights that refracted off them, making your shadow shift between multiple colors as you moved. I don’t think Sprout noticed the colors, but we loved watching the rainbow of light as he ran loops around the poles.

Art was integrated into the regular exhibits as well. The Waterworks floor, which had water tools and toys for kids to experiment with, includes a piece simply called Rain Shower. Even the toddler area had visually sophisticated art as decorations, with stained glass pieces giving the area a fairy-tale feel.

Besides being interactive, the museum’s approach to art had two more unique facets – its invitation to children to think about the art as well as create their own. Many of the pieces had captions, just like in a regular art museum, but at a kid’s literacy level without being over-simplified. In the Makespace, kids can use sophisticated tools they may not have access to otherwise to create objects that meet at the junction of art and science. We didn’t visit that section because Sprout was too little, but I look forward to it when we visit in the future.

The other exemplary aspect of the museum is how it managed to have activities that were appropriate for, appealing to, and respectful of a variety of ages. For example, Sprout’s two favorite exhibits were a giant Lite-Brite board and a machine inspired by the bounce pattern of a Superball. For him, the Lite Brite board was awesome because not only did it involve sticking pegs in and out of holes, but the pegs glowed when you put them in! For me as an adult, it was still fun to arrange the pegs into different space-agey patterns. The Superball demonstration had a series of balls on poles that dropped in a wave when you pulled a lever. Sprout loved pushing the balls in place, pulling the lever (which he figured out from watching the museum guide) and watching the balls fall, bouncing up and down. He actually worked quite hard to push the balls into place – the only reason we helped was because we lacked the patience to wait! As he got older, I could see this exhibit still being interesting, for the way it illustrates the pattern of a wave.

Much of this understanding of and respect for children’s needs stems from the museum’s patron saint – Fred Rogers, who was a major influence in its founding and design. While he’s gone, his spirit very much remains in the museum’s special appreciation of children. Sprout had a wonderful time and was especially engaged by some specific exhibits. While would have liked to stayed longer, I was so glad we were able to introduce him to the joys of museums through the Children’s Museum of Pittsburgh.

An Autumn Extravaganza: Halloween at Butler’s Orchard

Photo: Child walking through a tunnel framed by a jack-o-lantern. Text: "An Autumn Extravaganza: Halloween at Butler's Orchard."

Autumn is my favorite season, with the changing leaves, the cooler weather, the fall harvest, and Halloween. Oh, Halloween – a celebration of imagination and as much candy as you can mooch off the neighbors. A perfect chance to be someone else for a night and engage with the not-so-scary monsters of the world before you have to face the ones in the real world. So of course, I’ve looked forward to celebrating Hallowern with Sprout. And you can’t have a good Halloween without a high quality pumpkin. So off we went to the local orchard to pick a pumpkin and attend their fall children’s festival.

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Old-School Childhood: Cabin John Regional Park

Old School Childhood_ Cabin John Regional Park

I’m a pretty radical progressive in a lot of ways, but I have serious nostalgia for a lot of kids’ activities. I believe children should spend lots of time exploring and that playground equipment is meant to be used “creatively.” I’m also a fan of kitschy stuff from the 1950s and 60s. So it warmed my heart to visit Cabin John Park last weekend with Chris, Sprout and my in-laws.

Cabin John Park is old and shows it. While the surrounding area is one of the richest regions in the country, you wouldn’t know it from the park. It’s neither shiny or trendy. Which is not to say that it’s dilapidated. Rather, it feels worn and comfortable, like a well-used armchair.

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Hanging Out with My Favorite Little Guy

Last week, I turned to Chris and said, “These days, I don’t really know what a day alone with Sprout is like.” His schedule now is drastically different from when I was on maternity leave and Chris and I are usually together on the weekends. Seeing an opportunity, he responded, “Do you want to?” We didn’t have anything planned, so I gave Chris the “day off” on Saturday and had a whole day dedicated to mommy-kid bonding.

Of course, deciding on an activity was paramount. Both Sprout and I get antsy hanging around the house, so I definitely wanted to get out. I first contemplated going to a “toddler play date” advertised on Meetup, but then realized that I didn’t want to mar it with my awkwardness of needing to make small talk with strangers. I also decided against attending a local puppet show, figuring that Chris would want to be present for Sprout’s first theatrical experience. In the end, I decided to go to a local nature center (we have a lot of them around us) that we hadn’t been to yet.

The Nature Center turned out to be even cooler than I had anticipated. The largest room replicated a Mid-Atlantic deciduous forest, with a stream running into a pond populated by turtles and catfish. Sprout loved observing the turtles from a bridge over the stream – even more than he enjoyed climbing up and down the steps. Across from the bridge, there was a tunnel with a window into the pond, allowing you to peer into the pond at eye level. Unfortunately, holding him up to the window didn’t last long because my arms were starting to give out. There was also a mysterious “cave” that required crawling into a dark tunnel. While I was totally keen, Sprout was uninterested in exploring anything he couldn’t stand up in, backing straight out of it. At least it’s something to save for when he’s older.

Another room was super old-school, with a yellowed Mark Trail comic and beaver and fox pelts on the wall. He found stroking the fur fascinating, while I scrambled to rub his hands in sanitizer before he stuck them in his mouth. Those are so old that they can’t have bacteria anymore, right? It also had a kiosk where you could press buttons to hear different bird sounds. Pushing buttons plus high pitched noises equals toddler crack.

Outside offered more opportunities to critter-watch; the Center is a rescue facility for predatory birds. All of their birds, which include vultures, hawks, owls, and even a bald eagle, are so injured that they can never be re-released. We happened to be lucky enough to be there while the keeper was feeding the vulture. I found watching the vulture methodically tear apart a mouse fascinating, but Sprout was wiggly. In only a few years, I’m sure it will hold his interest far more.

We spent the rest of the time at the Center rambling along the hiking trails. I let him walk ahead of me, redirecting when he’d start to wander off the path. Besides it being good environmental stewardship, I also didn’t want to deal with the threat of poison ivy. He’d stop occasionally to pick up a stick, look at a leaf, or poke at a stone. However, he was surprisingly focused for his age. Our time ran out before his attention span did.

The rest of the day was more pedestrian – lunch, a nap for both of us, and a trip to our downtown area and grocery store. I even made dinner! But it was good to even have that ordinary time together.

I’m so grateful that we had our mommy-son bonding time. Sometimes I get jealous of Chris because he has so much time with Sprout alone. While I wouldn’t want to be a stay-at-home parent myself, I wish I had a little more time than the hour and a half before bedtime and the weekends.

Even when I’m there and all three of us are together, Chris can unintentionally dominate the play. He tends to be a little more physical with Sprout when playing, with more tickle fights than I do. He’s also just inherently funnier, being able to make up silly songs on the fly. I’ve learned a lot about being flexible from him and I’ve become much more comfortable as a mom, but I still feel intimidated once in a while.

Obviously, Chris benefitted from this time away as well. In fact, he attended a gaming group he found through Meetup and enjoyed himself! As he hates attending events where he has to talk to strangers, much less going by himself, I was so proud of him.

So this uninterrupted time with Sprout was refreshing. I could luxuriate in spending time with him without worrying about being back in time for dinner or anywhere else. I suspect we’ll make this a regular monthly event, as it seems to be good for everyone’s emotional health.

Art in the Ordinary Moments

Art is good for kids and kids are good for art. While art usually hasn’t treated kids with a lot of respect, Mary Cassatt is one of the few artists who portrayed children in her art in an less-restricted manner. So when I saw a poster about an exhibit of her art at the National Gallery, I was eager to go.

What I like the most about Cassatt is that she painted people as they are, not how she wanted them to be. Historically, art has portrayed children as small adults, stuffing them in tiny formal clothes in stiff positions with blank or very serious expressions. (In some medieval art, baby Jesus is outright creepy.) Many of them look like zombie children or possessed dolls. In fact, a critic contemporary to Cassatt said that most artists of the time put mothers and children in “stupid and pretentious poses.”

In contrast, Cassatt – like many of the Impressionists – was interested in painting “real people.” Cassatt’s paintings often capture children’s lack of decorum. In what’s probably her most famous paintiLittle Girl on a Blue Armchair, Mary Cassattng, Little Girl on a Blue Armchair, a young girl is dressed in her Sunday best and absolutely sprawled out on the living room furniture. With her dog perched on a nearby chair, she looks out at the viewer with a relaxed but vaguely bored look: “What? I’m comfortable.” From her pose to her expression, she’s the opposite of a proper Victorian lady, but so much like the little girls we know in real life.

Another famous painting, Girl Arranging Her Hair, shows a teenager in her dressing gown, fussing with her long hair. What I found particularly interesting about this one is that Cassatt doesn’t paint her as conventionally attractive. In fact, she’s a little homely. But Cassatt finds beauty in the ordinariness of her face and the task at hand.

The exhibit also displayed a number of her lesser-known pieces, particularly a set of prints done in a Japanese woodcut style. My favorite of these was Maternal Embrace, which Mary Cassatt's Maternal Embrace, which portrays a mother hugging a young infant.shows a woman hugging an older infant to her chest. The baby is naked, as if he or she has just come out of the bath. The mother has her arms tightly wrapped around the child, her eyes closed and head resting against the child’s cheek. It captures a moment of deep intimacy, of what I imagine to be a mother contemplating how much she loves and cherishes her child. The baby is big enough to hug tightly but small enough to be vulnerable – perhaps around 4 to 6 months. The print resonated with me, because that was a time I particularly enjoyed with Sprout. He was smiling often and giving real emotional feedback. It captures a moment that truly reflects my lived experience, in a way that art rarely does for me.

Cassatt’s empathy for children was even reflected in her art supplies; the museum had a set of her pastels on display. When she had moved on to other mediums, Cassatt gave them to one of her friend’s daughters. The accompanying plaque quotes the recipient as saying that as a little girl, she had no idea what they were worth, so she just used them to create her own art. I suspect that was exactly what Cassatt intended with the gift.

Seeing these images of children sparked my thoughts about how we portray children today. Children are portrayed more now than in any period of time, between digital cameras, smartphones, Facebook and Instagram. While the mere act of photographing our kids may inspire them to ham it up and be less genuine, I do think that most photos try to depict children’s lived lives, just as Cassatt did. Of course, they usually show our kids’ best side and not all of the whining, but they aren’t trying to turn our kids into people they aren’t.

Instead, I think sometimes where we – and I definitely include myself here – go wrong is how we interpret other people’s photos. It’s so easy to look at other people’s photo sets and forget about the 10 photos they didn’t post where their kid wouldn’t sit still or was hitting their sibling or was complaining about goodness knows what. It’s easy to forget that these are just snapshots into people’s lives and even messy places can look beautiful with the right point of view. We long to have our lives look like other people’s, forgetting that we have our own moments of honest beauty, even if we didn’t have the camera ready at that moment. Or we get mad at other people’s lives being “perfect,” even if they never claimed such a thing. We try to compare our families to fictional people that exist only on a screen. It’s like being mad at the Pinterest moms that do everything – we don’t know the whole story and it isn’t fair to either of us. Instead, we need to extend grace to ourselves and each other, finding art in the ordinary.

Art is just one way to express beauty. When we portray children, we should make it as true to them as possible, but also remember we’ve only captured just one moment of many.

Faire Thee Well

Being a big dork who enjoys dressing up in costume, I love Renaissance Faires. I’ve never been hard core enough to get a season pass, but I’ve attended them on and off since junior high. This past weekend, we attended our local Faire with friends of ours who have a two and a half year old son. While Sprout wasn’t old enough to fully appreciate it, I enjoyed it and I definitely want to bring him back in the future.

Probably my favorite thing about the Renaissance Faire is how it inspires imagination. Despite being set in a pseudo-historical world, there is no question that this is pure fantasy. The Simpsons episode where they visit the Ren Faire (“Behold the mighty Esquilax, a horse with the head of a rabbit…and the body…of a rabbit!”) isn’t all that far off. For goodness sake, they sell corn dog bites and cheesecake on a stick! There’s tremendous value in learning about real history, but the Society for Creative Anachronism this is not.

But in place of actual historical fact, there exists a whimsical space for visitors to fill in themselves. In contrast to Disney (which has incredible world building, but it’s heavily controlled), participants are invited to jointly create a world with the performers. We are the rabble at the foot of Shakespeare’s stage, the lords and ladies in the Queen’s court, and the ordinary folk attending a joust. In fact, if you come in costume, you become a performer and character yourself. It was actually quite difficult to tell the difference at times!

Because of this combination of loose requirements and interactivity, the Renaissance Faire seems open and welcoming as a community. We saw all sorts of costumed attendees, ranging from people wearing custom-made elaborate corsets to a combination of mall-bought clothes that was suggestive of a pirate outfit. Personally, I wore a regular dress in a vaguely Renaissance style and a ridiculous hat. Unlike comic book conventions, where women are often accused of being “fake geek girls” if they don’t meet some vague and arbitrary level of comprehensive knowledge, the Renaissance Faire doesn’t have any set characters or standards. In fact, the booths even had a variety of costumes for sale, so even if you were totally unprepared and wanted to join in the fun, you could.

Similarly, the looseness of the world building means that visitors can remake it in their own image if they want to. So what if girls weren’t knighted at that time? They are here! So what if black and Hispanic people wouldn’t have been heavily represented in the court? They can be here! When fiction may not represent the full variety of fans, these in-person places give everyone the opportunity to step into a fantasy world and make it our own. (This is not to say there aren’t any issues with sexism or racism at Ren Faires, but I personally found it to seem like a more welcome atmosphere.).

In short, I like that I can bring Sprout to a place where imagination is celebrated by adults and all are welcome to participate in the co-creation of this shared world.

Lastly, I actually enjoy the commercial aspect of the Renaissance Faire. Almost all, if not all, of the vendors at our Faire are small producers who make their products themselves. From chain mail to swords to dresses, there was no shortage of beautiful goods. I like dealing directly with small crafters, knowing that they take pride in their products and are getting paid fairly for their efforts. As Sprout gets older, I like him knowing that you can buy toys from places other than the toy store and meet the people who make them.

Fundamentally, the Renaissance Faire is a silly place for adults and children alike to have light-hearted, imaginative fun. And it’s good that such a place exists.

Walt Disney World Week: That Perfect Girl is Gone

I consider myself a recovering perfectionist. But like many addicts, I’ve come to realize that I’m not as close to recovered as I thought I was. It all came to a head on the last day of our Walt Disney World trip.

As a kid and young adult, my perfectionism was focused on my academic and work goals. But unlike many people, my perfectionism wasn’t paralyzingly – it was inspiring. Each ambitious goal I reached bolstered my confidence. On the occasion I didn’t meet my goal or even (gasp) failed at something, I was reassured that I had tried my hardest and would do well in the future.

That foundation failed me the minute I became a mom. Here I was, responsible for a entire person’s life, and completely unprepared. I had read plenty of books and taken the classes, but felt totally helpless. There was no grading system providing feedback and all of the advice was contradictory, leaving me lost.

Thankfully, I grew into my role with the support of my husband and family. I thought I came to grips with the fact that I’ll never know all of the answers and what works one day may become irrelevant the next. As Sprout developed into a happy, healthy kid, I felt better about my capabilities and choices. I even wrote an post about how toxic the idea of perfection was to me.

But all of those old worries flooded back on the first day of our trip. Trying to give Chris a break from his stay-at-home duties, I sat next to Sprout on the plane. At first, I was nervous that the pressure change would bother him, as my ears always have difficulty adjusting. Once we took off and he was fine (albeit surprised), I was obsessed with forestalling any potential crying fits. After all, I didn’t want to be “that mom.” After rounds off books and the See-and-Say, about 20 minutes from landing, I finally pulled out the big gun, the one thing I’ve never let him play with – my iPhone. Even then, I was on edge that he would start screaming any moment.

The trauma of the flight over, my mood lightened a little when we arrived at my grandmother’s house. But even there held untold risks. Our house is well baby-proofed, with the kitchen blocked off and everything strapped to the walls. While my grandmother made a valiant effort to prepare for our visit, her kitchen was open and there were still a few decorations within Sprout’s reach. We had to keep a constant eye on him to ensure he didn’t turn on the stove, pull open kitchen cabinets, rip pages out of books, knock over large ceramic figurines, or any other number of potentially disastrous scenarios. The hotel room was almost as bad on the baby-friendly front, between the full kitchen and our fellow travelers’ tendency to leave the bedroom and bathroom doors open. So even when we should have been relaxing, I was on high alert.

The parks only exacerbated my worries. Sprout decided early on that while the stroller was fine for short periods of time, he really wanted to explore. As we were visiting at the height of Disney’s busy season, finding uncrowded areas was almost impossible. Even though we were tethered together, the foot traffic was way too high for a toddler to be wandering around. So I ended up tailing him by a couple of inches, trying to prevent him from: getting run over by a stroller or motor scooter, getting trampled by a pedestrian, pulling on someone else’s clothes, or stealing someone else’s stuff. As he has the walking patterns of a hummingbird, it was like constantly playing defense to the world’s shortest basketball player.

While the main roads were challenging, the lines were worse. We managed to avoid most of them, but even the shortest 20 minute ones were overwhelming. After the first five minutes, he no longer wanted to be held, and would start struggling. If I put him down, he wasn’t going to wait patiently in line. He might be content to play with the ropes or chains separating the crowd, but he often wanted to wander. I tried to corral him into walking in a circle, but he’d catch onto that tactic pretty quickly and try to slip between the legs of the people ahead (or sometimes behind) us. As I see line-cutting as a social sin, trying to keep him happy while not skipping in front of people was a tightrope walk.

Besides the difficulty of baby-proofing the world, I had a lot of self-induced stress from feeling like a hypocrite. The first instance came from allowing Sprout to cry-it-out the second night at my grandmother’s house against my ethical and practical objections. But after two hours of trying to get Sprout back to sleep and him being so worked up that he was violently thrashing in my arms, neither Chris or I could think of a better solution. Listening to him yelp like a rabid badger at 1:30 in the morning was one of my low points as a parent. Thankfully, my grandmother was on the other side of the house and had taken out her hearing aid. Later on, I felt terribly self-contradictory on the subject of naps. Before the trip, I had so self-righteously lectured my in-laws on how we were going to maintain Sprout’s schedule and be back at the hotel for a 2 hour nap every afternoon. Ha – we didn’t carry out that plan a single time. (Of course, the day my in-laws took him, they did go back to the room.) Basically, I had underestimated the room-to-park commute (30 min to a full hour) as well as how uninterested in napping Sprout would be after the waiting for bus, bus ride, and stroller walk combination. So on top of being concerned he wasn’t getting enough sleep, I felt like a twit that I had taken such a hard stand on the issue.

Adding to all of that the relentless heat, the back and forth haul to the hotel, the long nights, the fact that everything takes twice as long with a small child, and the nagging concern that our car at the airport might be totaled, I was stretched thin. We had some excellent times, but on the last day, I just snapped.

I’m not exactly sure if anything triggered it, but I had a full-on anxiety attack. The whole family – my mother and father-in-law, my sister and brother-in-law, and Chris and Sprout – were together for the day. I wanted to have fun, but variations on the same thought kept drowning out everything else: “I want everyone to have a good time – it’s the last day. But what if it doesn’t go as planned? But what if Sprout is upset? What if he starts crying? It’s all going to be my fault.” I never had that exact thought, but all of the worries were based in that single fear, drenching me over me over and over again, washing away anything else. I wasn’t totally paralyzed – I could walk and talk, but I was tense, snippy, and manic. I jumped from subject to subject, preoccupied with impending doom.

Of all things, the one thing that broke the fear’s hold on me was a roller-coaster. In fact, it was my favorite roller-coaster in the world – Space Mountain. While it had been closed earlier in the day due to mechanical difficulties, it reopened for business just in time. From the simple thrills of sharp drops in the dark to the lighthearted space travel theme, I was grinning from ear to ear. All of the adrenaline that had been pounding through my head found a release and I was more relaxed than I had been the whole trip.

But while Space Mountain relieved me of the physical tension, I was still carrying a lot of emotional baggage. Which is how I ended up ugly crying, my face full of tears and snot, belting out Let It Go in the middle of the street in Hollywood Studios that night. Sprout was on my shoulders watching fireworks, so I didn’t have to worry about him. Everyone was singing and the fireworks were loud, so no one would notice me being off-key. My family was elsewhere in the crowd, so no one was there to judge me. I could just, well, let it go.

Even though I don’t have any magical superpowers – except maybe my Mama Cape – I relate to Elsa’s journey. I can’t keep covering up my imperfections; hiding them deep down just destroys you in the end. I have to embrace my fallibility, acknowledge that I will contradict myself, and rely on the fact that sometimes I have no idea what I’m doing. When I hold on to the person I want to show the world, I give up who I really am. And it’s not just a one time deal – exposing my heart, facing the fear and letting go of my pride is a process that I will have to repeat over and over again. But I have to keep doing it because my kid deserves having a mother who is so herself through and through, faults and all.

Walt Disney World Week: What I Learned About Visiting with Babies and Toddlers

Walt Disney World is a whole different vacation spot when you’re traveling with a small child. You start being worried less about what rides have the longest lines and more about where you can change the baby. You learn all of the resources Disney has to offer that we never needed as adult-only visitors. So even though Chris is a Disney Expert due to his family’s many trips there, we learned a lot on this trip:

1) The awesomeness of Disney’s Baby Care Centers.
I had never even heard of these until I started seeking out advice about visiting Disney with a baby. There’s one in each park, all fairly tucked-away and not that advertised. We mainly used them to change Sprout, and for that alone they were worth seeking out. They had the largest, most luxurious changing tables I’ve ever seen. While we didn’t need them, they also had private rooms for nursing mothers (a godsend in the heat), and baby supply stores selling diapers, wipes, formula, bibs and baby food.

2) That the Harmony Barber Shop on Main Street in the Magic Kingdom is the best value in all of Walt Disney World.
Yes, the Magic Kingdom has a working barber shop! I thought it would be super adorable for Sprout to have his first haircut as Disney World, so I made an appointment ahead of time. This place totally exceeded my expectations. It’s tiny – only three chairs – but period accurate, with spinny chairs, large mirrors and lots of dark wood. The barber we had was very personable and patient, clearly experienced in working with very small children. Before he started, he stuck about eight Mickey stickers on Sprout, all over his shoes, legs, and shirt. After he finished, he signed a certificate, put the cut hair in a little bag, and gave Sprout a pair of Mickey ears with “My First Haircut” embroidered on the back. And the cost of all of this luxury? $18! You can’t buy Mickey ears by themselves for that price. Even if your kid (or you) is too old for a first haircut, they offer very reasonable kids and adult haircuts. For just some fun in the park, they’ll also gel and glitter your hair for $5.

3) Never underestimate the value of a good baby playground.
As a new participant in the Toddler Brigade, Sprout is obsessed with walking as much as possible and going up and down stairs. However, the main areas were way too busy for toddling very far. Fortunately, we found almost every little kid play structure and spray ground in the parks. In particular, the small structure outside of Splash Mountain and the interactive fountain in Epcot between Mission Space and Test Track were just the right size for him. In fact, watching him run so confidently down the little hall and up the stairs at the Splash Mountain playground was one of my proudest moments so far.

4) Some of the rides kids enjoy the most are the least appropriate for them.
While Disney has plenty of rides that appeal to teens and adults now, the original ones at the Magic Kingdom are still some of the most appealing to little kids. They’re really simple and engaging, with lots of colors and animatronics. While some of them still hold up well – I adore the Haunted Mansion – a lot of them clearly reflect the cultural baggage of the time period they were created in. It’s A Small World’s racial and cultural diversity may have been well-intentioned at the time but comes across as trading in some nasty stereotypes now. (Apparently Africa doesn’t have any buildings!) Country Bear Jamboree mocked the maudlin country songs of the time on Roy Rogers, but what is considered appropriate for children has apparently changed a lot since then. I’m not into overly protecting Sprout, but lyrics like “Mama, don’t whip little Buford…I think you should shoot him instead,” “Tears will be the chaser for your wine,” “Every boy who turns me on turns me down,” and “And a great big puddle of blood on the ground” left me giggling in horrified amusement. You expect the radio to talk about sex and murder, but not the critters at Disney! But perhaps the worst is the Pirates of the Caribbean, where the PG-13 movies arguably toned down the content from the ride. Scenes of pirates burning entire cities and selling off enslaved women were originally supposed to evoke lurid fascination, like the horror comics of the 1930s. But now that we’ve so romanticized the idea of a pirate – reinforced by the gobs of pirate merchandise for kids available right after the ride – the whole thing turned my stomach. No, Disney, I don’t want my boy to be a pirate. We’ll stick with the Jedi Training Academy at Hollywood Studios instead. As problematic as Jedi are, at least they’re on the side of good. Or we’ll hang out with Tom and Huck on their island across the way.

5) Where all of the produce stands are.
While I’m fine with having dessert and junk food some of the time, I don’t think vacation means an endless supply of fries and ice cream alone. Fortunately, Disney actually has some healthy snacks available if you know where to look. Every park has a stand selling fresh fruit (and often other healthy snacks): in Animal Kingdom in Harambe in the Africa section, in Hollywood Studios on the way to the Tower of Terror, in EPCOT in the Land pavilion, and at Magic Kingdom in Liberty Square.

6) That all of the outdoor rides close when it thunders.
One of the major disadvantages of going in August are the afternoon thunderstorms. As we had storms almost every day, we also found out that for safety reasons, Disney closes all of the outdoor rides and playgrounds for an undetermined period of time when it starts thundering. This isn’t too much of a problem in EPCOT and Hollywood Studios because they have very few outdoor rides. In Magic Kingdom, it shuts down Dumbo, which was disappointing to me because Sprout and I were in the midst of waiting for it. But where the thunder really becomes challenge is in Animal Kingdom, which has a ton of outdoor rides. The best bet is actually the safari ride, which does stay open, allowing you to see all of the animals that come out to enjoy the rain.

7) That Disney World has a petting zoo.
This is something that was of zero interest to me an adult but immediately appealing when visiting with a little kid. It’s in Rafiki’s Planet Watch in Animal Planet and beautifully well-run. Instead of having the animals in cages or behind fences, they had roped areas that the animals could retreat to when they were sick of being pawed at by kids. Because they didn’t have the kids feed the animals, they were all pleasantly calm, even the goats. And of course, they were wonderfully clean. Because the area is far away from the main park, it was also blessedly uncrowded.

8) Even Daddies can’t resist the siren call of a plush Olaf. Even if the kid only saw the first ten minutes of the movie.