In Defense of Scary Stories for Kids

in-defense-of-scary-stories-for-kids

My job as a parent is not to protect my child from monsters; it’s to teach him how to fight them. Because, one day, sooner or later, I won’t be able to protect him, whether that’s because of physical distance or just a stage in life. So in the meantime, I want to expose him to children’s stories with monsters, stories that give you nightmares and make you hide behind the sofa.

A few months ago, I read The Ocean at the End of the Lane, a beautiful book dripping with childhood half-remembered thoughts and fears. Neil Gaiman is one of my favorite authors, who manages to make the mythic so very personal. His stories – even and especially those for children – tap into narratives bigger than us, dredge the dark parts of our minds and bring out the terror, but also, the strength, courage, and beauty. He says that parents are more scared by his book Coraline than children, because it’s about parents’ fears as much as their children’s. Similarly, a quote from Maurice Sendak at the beginning of The Ocean at the End of the Lane expresses this balance between children’s and adults’ fears perfectly: “I remember my own childhood vividly. I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”

Much of my other favorite media covers the same territory: Doctor Who, Lost, SeaQuest DSV, X-Files and Harry Potter. Unsurprisingly, my taste in children’s literature runs along the same lines. As the source of this blog’s title, Where the Wild Things Are is a favorite of mine. Notably, the Wild Things aren’t the scariest thing in the book – Max’s loneliness is. But it’s also what draws him home on the end.

Reading and watching these movies and books, I want Sprout to feel fear, understand its roots, and learn how to channel it. As the Doctor says in Listen, fear is a superpower. When you fear something, you know that it’s important for some reason. Maybe the fear is of something physically dangerous like a rattlesnake or as socially harmful as being seen as stupid. What we fear and how we react to it reveals our values, even if we don’t want to admit them. Being afraid of people who are a different race is racist. Being afraid of looking stupid means we value intelligence, while fear of looking mean means we value compassion. We need to look long and hard at our fears, whether to change something about who we are or find ways to confront them.

Besides monsters and fear, the other common element in all of these stories are protagonists who face the dangers armed with skill, bravery, sharp wits and compassion. Many of them explore unknown places and meet different cultures with a sense of wonder and joy. To quote the under-appreciated Craig Ferguson on Doctor Who, the show is about “The triumph of intellect and romance over brute force and cynicism.” Although I enjoy superheroes and their drag-out brawls, they can never have my heart like these non-violent (or minimally violent) heroes.

While stories about ordinary children facing ordinary problems have their place, stories about protagonists facing foes bigger than our reality have a special role. To children, everything is bigger than them. So if this character can resolve this huge problem, maybe they can too.

I want Sprout to learn from these characters because the tactics they use against fantastical monsters are applicable in real life. While he will never have a (properly functioning) sonic screwdriver, he can be kind and smart. He can approach people who are different from him not with fear, but a respectful interest in listening to their stories.

And he can work together with them. Heroes in these stories never work alone – they almost always work in teams. They may feel alone at times, but they know they can find refuge in the welcome of their friends and family. They realize there is no such thing as a lone wolf, that no one can do good individually, unconnected from community.

These stories provide patterns to help my son band together with others to form communities outside the damaging systems of power, whether the toxic politics of high school or the restrictions of our industrial food system. Open mics and community gardens alike can be refuges and places we can break down walls.

I want my son to experience scary stories because they provide a foundation to build a life where he can stand up against the true monsters of this world: hate, injustice, greed and unjustified fear. If you don’t learn to deal with make-believe monsters, how can you handle the real ones?

What were your favorite scary stories as a kid? What did you get out of them?

Women’s History Month Role Models – Pop Culture

Picture: Pictures of Clara Oswald from Doctor Who, Agent Peggy Carter and Anna from Frozen; Text: "Female Role Models in Pop Culture / We'll Eat You Up, We Love You So"

Reading all of the wonderful stories of women being shared for Women’s History inspired me to think about the women who have influenced me. I realized that they fell into three categories – women I personally know, women (and girls) in pop culture, and historical or cultural women in advocacy. This week, I’m going highlight my female role-models and hope you find someone to be inspired by!

Today I’m focusing on female role models in pop culture, particularly action adventure and SF. In addition to being my favorite genres, they also have a historic under-representation of women, especially when compared to movies, TV shows, or books with a romantic or historical focus. Unfortunately, most women in these genres are either “The Girl” in a group made up of all men or Strong Female Characters who are physically capable but over-sexualized and emotionally flat. While the characters I describe are far from unproblematic – both if they were real people and in how their works choose to portray them – I find them to have a number of traits worth emulating.

Princess Elizabeth, The Paperbag Princess: One of the first children’s stories to subvert the traditional “Prince rescues Princess” plots, Princess Elizabeth was probably my first fictional feminist hero. After a dragon burns her clothes and kidnaps her betrothed, Princess Elizabeth sets off to rescue him. After she beats the dragon, she finds out her “practically perfect” fiancé tells her to come back when “she looks more like a princess.” Declaring him a bum, she leaves him in the dragon’s cave alone and skips off to pursue her own destiny. I love how even though she anticipated being a “normal” princess, she does what needs to be done when people are in danger. She also uses her wits to defend the dragon and of course, won’t stand for the Prince’s shallow crap. Too bad Sansa from Song of Fire and Ice didn’t read this book before moving to the castle. (Despite my previous hesitancy, I’m totally on a Game of Thrones kick now.)

Anna in Frozen: In many ways, Frozen is an update of the Paper Bag Princess, with Elsa both acting as the dragon putting others in danger and the prince to be rescued. While it’s an obvious one for the list, it’s important to highlight how Disney has finally given us a female protagonist who is brave, compassionate, smart, self-motivated and deeply flawed. The movie wouldn’t have been nearly as powerful if it didn’t show both Anna and Elsa making bad decisions in their process of recovering from a life-long traumatic situation. While Elsa is such an important symbol for so many people – especially through Let It Go – Anna is a better role model once she’s gotten past the “next day wedding” idea. She’s far more willing to ask for and appreciate help when needed, be emotionally open, and tackle problems rather than hide from them. Although I think these two are the best, other good Disney heroines include Belle (her smarts and compassion), Lilo (her adventurousness and willingness to love outsiders), Rapunzel (her ability to break off an abusive relationship) and Tiana (her independence and passion for her work).

Agent Peggy Carter in Agent Carter and Captain America: I love Peggy Carter and totally want to be her super-spy friend. Unfortunately for me, she’s a fictional character who had her heyday in the post-WW II era. Nonetheless, I definitely appreciate how Marvel took a character who have easily been written off as “the girlfriend” in a superhero movie and showed how she is a badass in her own right. She stands up for herself against historically accurate sexism, outsmarts her co-workers and the bad guys, and is willing to support other women. While she first pushes people away from her to protect them, she comes around and realizes that while she wants to save people, she needs relationships too. From a visual perspective, I like how she has a very straight-forward fighting style, similar to the men surrounding her. While she’s more flexible and a little quicker than them, she doesn’t have the gravity-defying acrobatic style that many women in action-adventure movies do. It shows that you can be as physically tough as a man without being superhuman.

Clara Oswald in Doctor Who: Clara has come under a lot of criticism from Doctor Who fans for being a bit flat and boring during her first season. While the show’s portrayal of her definitely had its problems, her character actually had a lot of subtlety from the beginning. Since then, she’s only gotten much deeper. She’s a control freak overachiever who just wants to help people – the grown-up version of the fairy-tale heroine who always saves the day. And on the show, she frequently does, often through the dual powers of cleverness and compassion. In fact, she even saved it once through a story and a leaf alone. Needless to say, Clara is a woman after my own heart. What I relate to the most is that saving the world isn’t even her day job – she’s constantly trying to balance her travels with being a full-time teacher in an inner-city school. She wants to do good so badly that it exhausts her. Besides depicting this struggle for balance, the show has also used her to poke at the question, “What does it mean to be a good person and a hero?” Her desire to have things be “right” sometimes drives her to despair and other times has lead to drastic abuses of power. So often, shows and books tell us that the people who fight the bad guys are obviously both heroes and automatically good people. I love that Clara tries so hard to be good and is so morally complex in her quest to be so. (Lots more analysis on Clara is available in this TARDIS Eruditorum post and the author’s Tumblr.)

This is by no means an exhaustive list. I know that the female characters in Avatar the Last Airbender are supposed to be excellent, but I haven’t gotten around to watching it yet.

In addition to these laudable characters, a number of shows and movies have complex but far more morally ambiguous characters including Kima Greggs on the Wire; Catelyn Tully Stark, Arya Stark, and Daenerys Targaryen in A Song of Fire and Ice / Game of Thrones; President Laura Roslin, Starbuck, and Anastasia Dualla (Dee) in Battlestar Galactica; Black Widow in the Avengers and Captain America; Evey in V for Vendetta; and Micah Wilkins in Liar. As women come in all shapes, sizes and moralities, I appreciate this diversity.

Who are your favorite female role models in film, literature, and TV, especially in action-adventure and SF?

Fear Makes Companions of Us All

Lately, I’ve been struggling with fear. Unfortunately, I didn’t recognize it when it affected me the most – I misidentified it as anxiety or self-righteous anger. My fear has revolved around two major themes: not being a “good enough” mom to Sprout and not doing enough to “make the world a better place.” My fear around the first issue was most prominent during our Disney trip; the second emerged while I was washing dishes last week as an extended, angry, despairing rant about climate change, poverty and other injustices. Both are always bubbling under the surface. While I don’t believe God manipulates people to send personal messages, I do believe that if people ask, God will open their hearts to help hear what they need to from the noise of everyday life. This past weekend, I had a one-two punch of those messages, leading me to realize that I need to embrace my fears rather than ignoring them.

The first blow came on Saturday night, from a marvelous episode of Doctor Who. Even though it was advertised as a “properly scary” episode, it ended up being something very different indeed. Without spoiling the plot, it was fundamentally about how fear isn’t inherently a bad thing. Fear can make us stronger, quicker, and braver; it can make us super-powered. Fear comes from the knowledge that there are things we do not and perhaps cannot understand, but that’s okay. Whether the monster under the bed is real or not is irrelevant. Fear may be our constant companion, but instead of letting it control us, it can drive us to become better people.

The second hit came the next morning in church. My pastor has been preaching on the Beatitudes and what it means to be a peacemaker in the world. Last Sunday, he preached about how love and peace need to be at the center of our lives. That although we may have fear, we can’t let it drive us. That peace comes from breaking cycles of violence, whether physical or emotional. When we have peace at the core of our being, it acknowledges the pain of others and moves out from us.

The Doctor Who episode deeply connected with me, but I didn’t know why until hearing the sermon. Putting the two together, I realized that by trying to ignore my fear, I was allowing it to overwhelm me. To paraphrase the Martin Luther King Jr. quote on this week’s church bulletin, I was trying to merely drive out darkness instead of bringing light. But there can be no known without an unknown, no comfort without fear, no rebuilding without destruction, and no resurrection without the despair of Good Friday.

By worrying about not being a good enough mom, I don’t give myself the space to make and acknowledge the mistakes that are needed to grow. By being so concerned that I’m not doing enough, I make it all about me and deny the efforts of the folks around me. One of my favorite bloggers, Phil Sandifer, says that progressive causes like feminism involve both tearing down the current systems and making new mistakes in the process. As both a parent and activist, I have to forgive myself and others so that we can all make new mistakes together.

From now on, I will try to embrace my fears, realizing that they’re an outgrowth of how much I love my son and am concerned about the world around me. Instead of being afraid of caring too much, I will try to celebrate it.

We’re All Stories in the End

Today is the 50th anniversary of two of my favorite pop culture icons: Where the Wild Things Are and Doctor Who. What I love about both of these creations is their intense cultivation of wonder without shying away from its dangers. Because of this dualism, they capture the experience both of being a child and being a parent.

I came to the two properties from opposite ends. Where the Wild Things Are has been a favorite of mine since I was a child, which I then rediscovered as an adult. I remembered it fondly, but never really understood how insightful it was until I recently reread it to my newborn son. Like most Americans, I came to Doctor Who as an adult, already in my late 20s. While I didn’t find the first few episodes compelling, I fell in love half-way through watching the first season of the new series. Since then, I’ve been a head-over-heels fan. Between one of my favorite blogs, TARDIS Eruditorum, and other critical analysis, I’ve also found depths that I would have never guessed upon the first viewing of the episodes.

Somehow, both of them communicate eternal truths in a package appropriate for children. They both express a combination of fear and beauty, anger and creativity, hurting and healing. They are both about creating worlds in your imagination and the people who help you save this one. Perhaps most importantly, both are about the radical power of stories, the ones we tell about ourselves and others.

While my five-month-old son (nicknamed Sprout) is too young to understand one and too young to experience the other at all, I know that this book and show both embrace values that I want to pass on to him. That philosophy of awe and love in the context of parenting (and sometimes pop culture) and how that plays out is what this blog is about.

One of these stories is about a time-traveling madman in a box. The other is about a child who creates entire worlds full of magical creatures but returns home to his mother. And they’re both the same – they’re about us.